I saw the trailer and really wanted to like this movie. Who hasn't put some cool music on, put their ear pods in, and pretended their life was a couple times cooler than it really was?
But after about 10 minutes of watching, I felt nauseous at the thought of how something with so much potential, with such good intentions, managed to screw it up so royally?
The music part was a good idea - but at times it felt like it was washing out the plot and emotional connection to the action happening on screen. Like if the music wasn't there, I would just be looking at actors blinking at each other.
Then the fact that every baddie (the character's co-workers in the movie) seems an already over-done clichÃ©d archetype. The sleazy couple we're boring to watch, Jamie Foxx just seemed pointless and aggravating, and the others were annoying.
The main guy (Ansel Elgort's character) seemed determined to take as much acting clues from Hayden Christensen's Anakin Skywalker. He spent most of the movie pouting and smirking which didn't help or damage anything. It just seemed like he was in the wrong movie - like we were accidentally looking at someone go about their day who's just waiting for their laundry to be done or something. He seemed like a nice guy, but kind of came across as an idiot.
Then onto his relationship with the girl. The guy literally sees some chick twice, exchanges a couple of minutes of conversation. Then he's shooting people for her, they're running away together, and she apparently has no problem taking part in car chases and attempting to kill people. The girl doesn't have enough lines to show any personality whatsoever and there is no sense-able connection between the characters - none. Not to mention the fact that after this 3-or-so day romance (at the climax of which) the dumb-ass lead goes to jail for a couple of years, during these years the girl apparently has no life of her own and is sat there waiting for him with open arms like it was just yesterday. Because...love?
The least aggravating character in the whole movie was the old man he was looking after and even that seemed like it was somehow overdone, though I'd never seen it before.
Lastly, the guy's name is Baby. And boy, do they go on about it like they'd just discovered gravity. The young couple's longest conversation centers around the girl not being able to wrap her effing brain around the fact that the guy is called Baby - not because it's a really stupid name, no, apparently it's the best thing since tinned tuna. Because they're both music buffs and now they can ride around and listen to songs about Baby. (This was the point at which I pretty much wanted to claw my ears off.)
I really don't get it - how does this movie have a 8.3 rating? Am I in the wrong and missing something that's glaring everyone else in the face? I feel like it would not have been impossibly difficult to fix these faults and make a really good movie with this base - it feels like the final cut of Medellin in Entourage that the director refuses to change. Maybe I'm a cynic, but this movie blows.
That said - there were things that I liked. The pace was good, the modern-yet-vintage timeless feeling of the setting and generally anonymity of the setting that focused only on the story, the other characters besides the main guy (who would have done so much better with some better material), the diner motif, even the conversation wasn't completely terrible 100% of the time.
Action / Crime / Music
Action / Crime / Music
Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Deborah, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music?
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September 26, 2017 at 02:00 AM