Logan Lucky

2017

Comedy / Crime / Drama

5
Rotten Tomatoes Audience - Upright 76%
IMDb Rating 7.3 10 0 21014

Synopsis


Uploaded By: ZACH
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Cast

as Sadie Logan
as Jimmy Logan
as Cal
as Mellie Logan
720p 1080p
958.24 MB
1280*536
English
PG-13
23.976
01 hr 58 min
P/S 477 / 2609
1.75 GB
1920*804
English
PG-13
23.976
01 hr 58 min
P/S 1644 / 3871

Movie Reviews

Reviewed by DJKwa 8 / 10

An inversion of the Ocean's films but just as much fun

A few years ago director Steven Soderbergh made no secret of his waning passion for filmmaking. He announced his intention to retire from feature films following the release of 2013's Behind the Candelabra and cited his desire to pursue other creative interests. Well, it may have taken four years (and a brief stint directing TV's The Knick) to reignite his filmmaking passion, but Soderbergh proves his hand behind the camera is as assured as ever in the rollicking heist caper Logan Lucky.

Aptly described by Soderbergh himself as an "anti-glam version of an Ocean's movie", Logan Lucky is a return to the style of filmmaking that made his Ocean's trilogy box office hits. The film moves at a neat pace, features a strong ensemble cast and is packed with enough twist and turns to keep things interesting throughout its two hour running time.

The story follows the Logan family, brothers Jimmy (Channing Tatum) and Clyde (Adam Driver) and their sister Mellie Logan (Riley Keough), who are known for their family history of bad-luck. After loosing his job at a mine located underneath the Charlotte Motor Speedway, Jimmy plans to pull of an elaborate heist to put the Logan's financial woes behind them and break the family curse. With intricate knowledge of a series of underground tubes that run from the Speedway to a central bank vault filled with millions of dollars, Jimmy sees the perfect opening to rob the vault during a NARSCAR race. To pull it off, he enlists the help of his siblings along with bomb expert Joe Bang (a scene stealing Daniel Craig) and his two brothers, Sam (Brian Gleeson) and Fish Bang (Jack Quaid). The only problem: Joe's in prison. So on top of concocting a plan to steal the cash, they'll need to figure out a way to break Joe out of prison and get him back with no one the wiser. No pressure.

It's a zany comedy about unremarkable characters punching well above their weight but through sheer luck managing to pull things off. Half the fun of the film is seeing things not happening to plan but somehow working out in the end. To its credit, the film never treats itself too seriously and invites you to laugh along with the character's mishaps and the farcical parts of the story are frequently the funniest. One gag involving a prison riot and a jab at Game of Thrones writer George R.R. Martin's glacial writing pace is as screwy as it is funny.

For the most part, the film moves along at a nice pace. Just like in the Ocean's films, Soderbergh (who edits his own film) employs slick, fast cut editing to keep the heist scenes interesting and involving. He also manages to make good use of an impressive ensemble cast, with the likes of Seth MacFarlane, Katie Holmes, Katherine Waterston and Sebastian Stan all making minor but memorable appearances. And while Adam Driver and Channing Tatum both give impressive performances, the standout is an almost unrecognisable Daniel Craig playing blue-collar criminal Joe Bang. An explosions expert sporting a heavy southern accent and bright blonde hair, he's an anti-glam version of Bond if you will. It's Craig's impeccable comedic timing that will make you wish the Bond films would let him exercise his comedic chops a little bit more.

It's only in the last act that the film starts to feel a little played out. The introduction of Hillary Swank as a Special Agent in the last 20 minutes of the film feels a little rushed and ultimately doesn't really go anywhere. Instead, the story continues through a number of false endings, not entirely sure when to bring down the curtain.

Overall, as the first feature to draw Soderbergh out of semi-retirement, Logan Lucky is clearly something he wanted to make and his passion comes through in the final product. Produced entirely on his own and without studio interference, Logan Lucky inverts the glamour and opulence of the Ocean's trilogy without loosing the series' trademark quirks and high entertainment value. If Logan Lucky is intended to act as sort of push-back of the Hollywood system and studio meddling, then Soderbergh has succeeded at both proving a point and making you laugh while doing it.

Reviewed by filmtravel101 4 / 10

Slow Boring and Beyond Dull - Terrible Script -

This has to be one of the worst of Steven's movies. The script and directing was horrible. The characters and pace of the movie was so slow and highly unrealistic that many people just walked out of the theatre.

There is not really a lot of comedy or smart set ups like Ocean 11 movies and instead it is a meandering of endless short set ups by idiot red necks that at first you think just perhaps there is some back story that convinces us that they are really sharp like in Ocean 11 - but they are not and it just gets tiresome and the directing is amateurish with no style whatsoever and silly characters that do not add up to any clever thriller or comedy.

It is shocking to see 90% on Rotten Tomatoes or even a 7 on here. The end has little punch and you're so exhausted and bored out of your mind even with great actors but the pay off is unrealistic and you no longer care except to want to slap the writer and director for even making the stupid movie and wasting the great actors.

I give it a 4 only because of the actors performances even with a lame script. And please do not use Channing ever again. He is dull as paint

Reviewed by david-sarkies 4 / 10

Another Cookie Cutter Heist Film

Once again I'm not really all that sure why I saw this because even though it is a heist movie, it pretty much follows the cookie cutter script that seems to be the standard for heist movies. In fact I saw another heist movie earlier this year that was almost identical except that the main characters were pensioners who had been diddled out of their retirement as opposed to a bunch of hicks whose injuries have resulted them being left on the scrap heap, and when I say almost identical I actually mean literally scene for scene.

Okay, I was going to say word for word, but that doesn't really work considering the previous film was set in a major city (New York I think) where as this is set in Charlotteville, North Carolina. Okay, they also have a prison break, and they robbed a speedway as opposed to a bank, but the way the film progressed, especially with the police investigating it and then coming up empty, and the protagonists (anti-heroes if you will), getting away with it. Mind you, it was pretty clever what they did, and how they covered their tracks, but the funny thing is that these guys didn't actually come across all that smart. Also, there were some pretty cool laugh-out-loud moments, at least for me.

One of the things that did stand out was the setting – Charlotteville, and it was rather ironic that the whole protests occurred the week or so before I saw this film because it really gave me an idea of what the culture is like down there – very working class. In a way it created a picture of a region of the United States that had been ravaged by globalisation, and a world where if you are injured then nobody wants to touch you, or hire you. In fact our hero was basically told that he could no longer work because he had a pre-existing injury, which was the catalyst for the whole heist.

While I would suggest that it was a fun movie, the reality is that there wasn't really all that much different here than the film that I saw earlier in the year (Going in Style). Sure, the setting was slightly different, and the way they went about committing the heist was different, but in the end it seems like it simply came out of a cloning factory and really had little to no substance, or thought, to actually making it an individual film (except for a couple of really cool jokes that is).

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